mirror of
https://bitbucket.org/CPMADevs/cnq3
synced 2024-11-29 23:32:03 +00:00
352 lines
13 KiB
Groff
352 lines
13 KiB
Groff
|
.TH CJPEG 1 "17 February 2016"
|
||
|
.SH NAME
|
||
|
cjpeg \- compress an image file to a JPEG file
|
||
|
.SH SYNOPSIS
|
||
|
.B cjpeg
|
||
|
[
|
||
|
.I options
|
||
|
]
|
||
|
[
|
||
|
.I filename
|
||
|
]
|
||
|
.LP
|
||
|
.SH DESCRIPTION
|
||
|
.LP
|
||
|
.B cjpeg
|
||
|
compresses the named image file, or the standard input if no file is
|
||
|
named, and produces a JPEG/JFIF file on the standard output.
|
||
|
The currently supported input file formats are: PPM (PBMPLUS color
|
||
|
format), PGM (PBMPLUS grayscale format), BMP, Targa, and RLE (Utah Raster
|
||
|
Toolkit format). (RLE is supported only if the URT library is available.)
|
||
|
.SH OPTIONS
|
||
|
All switch names may be abbreviated; for example,
|
||
|
.B \-grayscale
|
||
|
may be written
|
||
|
.B \-gray
|
||
|
or
|
||
|
.BR \-gr .
|
||
|
Most of the "basic" switches can be abbreviated to as little as one letter.
|
||
|
Upper and lower case are equivalent (thus
|
||
|
.B \-BMP
|
||
|
is the same as
|
||
|
.BR \-bmp ).
|
||
|
British spellings are also accepted (e.g.,
|
||
|
.BR \-greyscale ),
|
||
|
though for brevity these are not mentioned below.
|
||
|
.PP
|
||
|
The basic switches are:
|
||
|
.TP
|
||
|
.BI \-quality " N[,...]"
|
||
|
Scale quantization tables to adjust image quality. Quality is 0 (worst) to
|
||
|
100 (best); default is 75. (See below for more info.)
|
||
|
.TP
|
||
|
.B \-grayscale
|
||
|
Create monochrome JPEG file from color input. Be sure to use this switch when
|
||
|
compressing a grayscale BMP file, because
|
||
|
.B cjpeg
|
||
|
isn't bright enough to notice whether a BMP file uses only shades of gray.
|
||
|
By saying
|
||
|
.BR \-grayscale ,
|
||
|
you'll get a smaller JPEG file that takes less time to process.
|
||
|
.TP
|
||
|
.B \-rgb
|
||
|
Create RGB JPEG file.
|
||
|
Using this switch suppresses the conversion from RGB
|
||
|
colorspace input to the default YCbCr JPEG colorspace.
|
||
|
.TP
|
||
|
.B \-optimize
|
||
|
Perform optimization of entropy encoding parameters. Without this, default
|
||
|
encoding parameters are used.
|
||
|
.B \-optimize
|
||
|
usually makes the JPEG file a little smaller, but
|
||
|
.B cjpeg
|
||
|
runs somewhat slower and needs much more memory. Image quality and speed of
|
||
|
decompression are unaffected by
|
||
|
.BR \-optimize .
|
||
|
.TP
|
||
|
.B \-progressive
|
||
|
Create progressive JPEG file (see below).
|
||
|
.TP
|
||
|
.B \-targa
|
||
|
Input file is Targa format. Targa files that contain an "identification"
|
||
|
field will not be automatically recognized by
|
||
|
.BR cjpeg ;
|
||
|
for such files you must specify
|
||
|
.B \-targa
|
||
|
to make
|
||
|
.B cjpeg
|
||
|
treat the input as Targa format.
|
||
|
For most Targa files, you won't need this switch.
|
||
|
.PP
|
||
|
The
|
||
|
.B \-quality
|
||
|
switch lets you trade off compressed file size against quality of the
|
||
|
reconstructed image: the higher the quality setting, the larger the JPEG file,
|
||
|
and the closer the output image will be to the original input. Normally you
|
||
|
want to use the lowest quality setting (smallest file) that decompresses into
|
||
|
something visually indistinguishable from the original image. For this
|
||
|
purpose the quality setting should generally be between 50 and 95 (the default
|
||
|
is 75) for photographic images. If you see defects at
|
||
|
.B \-quality
|
||
|
75, then go up 5 or 10 counts at a time until you are happy with the output
|
||
|
image. (The optimal setting will vary from one image to another.)
|
||
|
.PP
|
||
|
.B \-quality
|
||
|
100 will generate a quantization table of all 1's, minimizing loss in the
|
||
|
quantization step (but there is still information loss in subsampling, as well
|
||
|
as roundoff error.) For most images, specifying a quality value above
|
||
|
about 95 will increase the size of the compressed file dramatically, and while
|
||
|
the quality gain from these higher quality values is measurable (using metrics
|
||
|
such as PSNR or SSIM), it is rarely perceivable by human vision.
|
||
|
.PP
|
||
|
In the other direction, quality values below 50 will produce very small files
|
||
|
of low image quality. Settings around 5 to 10 might be useful in preparing an
|
||
|
index of a large image library, for example. Try
|
||
|
.B \-quality
|
||
|
2 (or so) for some amusing Cubist effects. (Note: quality
|
||
|
values below about 25 generate 2-byte quantization tables, which are
|
||
|
considered optional in the JPEG standard.
|
||
|
.B cjpeg
|
||
|
emits a warning message when you give such a quality value, because some
|
||
|
other JPEG programs may be unable to decode the resulting file. Use
|
||
|
.B \-baseline
|
||
|
if you need to ensure compatibility at low quality values.)
|
||
|
.PP
|
||
|
The \fB-quality\fR option has been extended in this version of \fBcjpeg\fR to
|
||
|
support separate quality settings for luminance and chrominance (or, in
|
||
|
general, separate settings for every quantization table slot.) The principle
|
||
|
is the same as chrominance subsampling: since the human eye is more sensitive
|
||
|
to spatial changes in brightness than spatial changes in color, the chrominance
|
||
|
components can be quantized more than the luminance components without
|
||
|
incurring any visible image quality loss. However, unlike subsampling, this
|
||
|
feature reduces data in the frequency domain instead of the spatial domain,
|
||
|
which allows for more fine-grained control. This option is useful in
|
||
|
quality-sensitive applications, for which the artifacts generated by
|
||
|
subsampling may be unacceptable.
|
||
|
.PP
|
||
|
The \fB-quality\fR option accepts a comma-separated list of parameters, which
|
||
|
respectively refer to the quality levels that should be assigned to the
|
||
|
quantization table slots. If there are more q-table slots than parameters,
|
||
|
then the last parameter is replicated. Thus, if only one quality parameter is
|
||
|
given, this is used for both luminance and chrominance (slots 0 and 1,
|
||
|
respectively), preserving the legacy behavior of cjpeg v6b and prior.
|
||
|
More (or customized) quantization tables can be set with the \fB-qtables\fR
|
||
|
option and assigned to components with the \fB-qslots\fR option (see the
|
||
|
"wizard" switches below.)
|
||
|
.PP
|
||
|
JPEG files generated with separate luminance and chrominance quality are fully
|
||
|
compliant with standard JPEG decoders.
|
||
|
.PP
|
||
|
.BR CAUTION:
|
||
|
For this setting to be useful, be sure to pass an argument of \fB-sample 1x1\fR
|
||
|
to \fBcjpeg\fR to disable chrominance subsampling. Otherwise, the default
|
||
|
subsampling level (2x2, AKA "4:2:0") will be used.
|
||
|
.PP
|
||
|
The
|
||
|
.B \-progressive
|
||
|
switch creates a "progressive JPEG" file. In this type of JPEG file, the data
|
||
|
is stored in multiple scans of increasing quality. If the file is being
|
||
|
transmitted over a slow communications link, the decoder can use the first
|
||
|
scan to display a low-quality image very quickly, and can then improve the
|
||
|
display with each subsequent scan. The final image is exactly equivalent to a
|
||
|
standard JPEG file of the same quality setting, and the total file size is
|
||
|
about the same --- often a little smaller.
|
||
|
.PP
|
||
|
Switches for advanced users:
|
||
|
.TP
|
||
|
.B \-arithmetic
|
||
|
Use arithmetic coding.
|
||
|
.B Caution:
|
||
|
arithmetic coded JPEG is not yet widely implemented, so many decoders will be
|
||
|
unable to view an arithmetic coded JPEG file at all.
|
||
|
.TP
|
||
|
.B \-dct int
|
||
|
Use integer DCT method (default).
|
||
|
.TP
|
||
|
.B \-dct fast
|
||
|
Use fast integer DCT (less accurate).
|
||
|
In libjpeg-turbo, the fast method is generally about 5-15% faster than the int
|
||
|
method when using the x86/x86-64 SIMD extensions (results may vary with other
|
||
|
SIMD implementations, or when using libjpeg-turbo without SIMD extensions.)
|
||
|
For quality levels of 90 and below, there should be little or no perceptible
|
||
|
difference between the two algorithms. For quality levels above 90, however,
|
||
|
the difference between the fast and the int methods becomes more pronounced.
|
||
|
With quality=97, for instance, the fast method incurs generally about a 1-3 dB
|
||
|
loss (in PSNR) relative to the int method, but this can be larger for some
|
||
|
images. Do not use the fast method with quality levels above 97. The
|
||
|
algorithm often degenerates at quality=98 and above and can actually produce a
|
||
|
more lossy image than if lower quality levels had been used. Also, in
|
||
|
libjpeg-turbo, the fast method is not fully accelerated for quality levels
|
||
|
above 97, so it will be slower than the int method.
|
||
|
.TP
|
||
|
.B \-dct float
|
||
|
Use floating-point DCT method.
|
||
|
The float method is mainly a legacy feature. It does not produce significantly
|
||
|
more accurate results than the int method, and it is much slower. The float
|
||
|
method may also give different results on different machines due to varying
|
||
|
roundoff behavior, whereas the integer methods should give the same results on
|
||
|
all machines.
|
||
|
.TP
|
||
|
.BI \-restart " N"
|
||
|
Emit a JPEG restart marker every N MCU rows, or every N MCU blocks if "B" is
|
||
|
attached to the number.
|
||
|
.B \-restart 0
|
||
|
(the default) means no restart markers.
|
||
|
.TP
|
||
|
.BI \-smooth " N"
|
||
|
Smooth the input image to eliminate dithering noise. N, ranging from 1 to
|
||
|
100, indicates the strength of smoothing. 0 (the default) means no smoothing.
|
||
|
.TP
|
||
|
.BI \-maxmemory " N"
|
||
|
Set limit for amount of memory to use in processing large images. Value is
|
||
|
in thousands of bytes, or millions of bytes if "M" is attached to the
|
||
|
number. For example,
|
||
|
.B \-max 4m
|
||
|
selects 4000000 bytes. If more space is needed, temporary files will be used.
|
||
|
.TP
|
||
|
.BI \-outfile " name"
|
||
|
Send output image to the named file, not to standard output.
|
||
|
.TP
|
||
|
.BI \-memdst
|
||
|
Compress to memory instead of a file. This feature was implemented mainly as a
|
||
|
way of testing the in-memory destination manager (jpeg_mem_dest()), but it is
|
||
|
also useful for benchmarking, since it reduces the I/O overhead.
|
||
|
.TP
|
||
|
.B \-verbose
|
||
|
Enable debug printout. More
|
||
|
.BR \-v 's
|
||
|
give more output. Also, version information is printed at startup.
|
||
|
.TP
|
||
|
.B \-debug
|
||
|
Same as
|
||
|
.BR \-verbose .
|
||
|
.TP
|
||
|
.B \-version
|
||
|
Print version information and exit.
|
||
|
.PP
|
||
|
The
|
||
|
.B \-restart
|
||
|
option inserts extra markers that allow a JPEG decoder to resynchronize after
|
||
|
a transmission error. Without restart markers, any damage to a compressed
|
||
|
file will usually ruin the image from the point of the error to the end of the
|
||
|
image; with restart markers, the damage is usually confined to the portion of
|
||
|
the image up to the next restart marker. Of course, the restart markers
|
||
|
occupy extra space. We recommend
|
||
|
.B \-restart 1
|
||
|
for images that will be transmitted across unreliable networks such as Usenet.
|
||
|
.PP
|
||
|
The
|
||
|
.B \-smooth
|
||
|
option filters the input to eliminate fine-scale noise. This is often useful
|
||
|
when converting dithered images to JPEG: a moderate smoothing factor of 10 to
|
||
|
50 gets rid of dithering patterns in the input file, resulting in a smaller
|
||
|
JPEG file and a better-looking image. Too large a smoothing factor will
|
||
|
visibly blur the image, however.
|
||
|
.PP
|
||
|
Switches for wizards:
|
||
|
.TP
|
||
|
.B \-baseline
|
||
|
Force baseline-compatible quantization tables to be generated. This clamps
|
||
|
quantization values to 8 bits even at low quality settings. (This switch is
|
||
|
poorly named, since it does not ensure that the output is actually baseline
|
||
|
JPEG. For example, you can use
|
||
|
.B \-baseline
|
||
|
and
|
||
|
.B \-progressive
|
||
|
together.)
|
||
|
.TP
|
||
|
.BI \-qtables " file"
|
||
|
Use the quantization tables given in the specified text file.
|
||
|
.TP
|
||
|
.BI \-qslots " N[,...]"
|
||
|
Select which quantization table to use for each color component.
|
||
|
.TP
|
||
|
.BI \-sample " HxV[,...]"
|
||
|
Set JPEG sampling factors for each color component.
|
||
|
.TP
|
||
|
.BI \-scans " file"
|
||
|
Use the scan script given in the specified text file.
|
||
|
.PP
|
||
|
The "wizard" switches are intended for experimentation with JPEG. If you
|
||
|
don't know what you are doing, \fBdon't use them\fR. These switches are
|
||
|
documented further in the file wizard.txt.
|
||
|
.SH EXAMPLES
|
||
|
.LP
|
||
|
This example compresses the PPM file foo.ppm with a quality factor of
|
||
|
60 and saves the output as foo.jpg:
|
||
|
.IP
|
||
|
.B cjpeg \-quality
|
||
|
.I 60 foo.ppm
|
||
|
.B >
|
||
|
.I foo.jpg
|
||
|
.SH HINTS
|
||
|
Color GIF files are not the ideal input for JPEG; JPEG is really intended for
|
||
|
compressing full-color (24-bit) images. In particular, don't try to convert
|
||
|
cartoons, line drawings, and other images that have only a few distinct
|
||
|
colors. GIF works great on these, JPEG does not. If you want to convert a
|
||
|
GIF to JPEG, you should experiment with
|
||
|
.BR cjpeg 's
|
||
|
.B \-quality
|
||
|
and
|
||
|
.B \-smooth
|
||
|
options to get a satisfactory conversion.
|
||
|
.B \-smooth 10
|
||
|
or so is often helpful.
|
||
|
.PP
|
||
|
Avoid running an image through a series of JPEG compression/decompression
|
||
|
cycles. Image quality loss will accumulate; after ten or so cycles the image
|
||
|
may be noticeably worse than it was after one cycle. It's best to use a
|
||
|
lossless format while manipulating an image, then convert to JPEG format when
|
||
|
you are ready to file the image away.
|
||
|
.PP
|
||
|
The
|
||
|
.B \-optimize
|
||
|
option to
|
||
|
.B cjpeg
|
||
|
is worth using when you are making a "final" version for posting or archiving.
|
||
|
It's also a win when you are using low quality settings to make very small
|
||
|
JPEG files; the percentage improvement is often a lot more than it is on
|
||
|
larger files. (At present,
|
||
|
.B \-optimize
|
||
|
mode is always selected when generating progressive JPEG files.)
|
||
|
.SH ENVIRONMENT
|
||
|
.TP
|
||
|
.B JPEGMEM
|
||
|
If this environment variable is set, its value is the default memory limit.
|
||
|
The value is specified as described for the
|
||
|
.B \-maxmemory
|
||
|
switch.
|
||
|
.B JPEGMEM
|
||
|
overrides the default value specified when the program was compiled, and
|
||
|
itself is overridden by an explicit
|
||
|
.BR \-maxmemory .
|
||
|
.SH SEE ALSO
|
||
|
.BR djpeg (1),
|
||
|
.BR jpegtran (1),
|
||
|
.BR rdjpgcom (1),
|
||
|
.BR wrjpgcom (1)
|
||
|
.br
|
||
|
.BR ppm (5),
|
||
|
.BR pgm (5)
|
||
|
.br
|
||
|
Wallace, Gregory K. "The JPEG Still Picture Compression Standard",
|
||
|
Communications of the ACM, April 1991 (vol. 34, no. 4), pp. 30-44.
|
||
|
.SH AUTHOR
|
||
|
Independent JPEG Group
|
||
|
.PP
|
||
|
This file was modified by The libjpeg-turbo Project to include only information
|
||
|
relevant to libjpeg-turbo, to wordsmith certain sections, and to describe
|
||
|
features not present in libjpeg.
|
||
|
.SH ISSUES
|
||
|
Support for GIF input files was removed in cjpeg v6b due to concerns over
|
||
|
the Unisys LZW patent. Although this patent expired in 2006, cjpeg still
|
||
|
lacks GIF support, for these historical reasons. (Conversion of GIF files to
|
||
|
JPEG is usually a bad idea anyway, since GIF is a 256-color format.)
|
||
|
.PP
|
||
|
Not all variants of BMP and Targa file formats are supported.
|
||
|
.PP
|
||
|
The
|
||
|
.B \-targa
|
||
|
switch is not a bug, it's a feature. (It would be a bug if the Targa format
|
||
|
designers had not been clueless.)
|