* OPL: specify the core to use for playing this song
* FluidSynth: specify a soundfont that should be used for playing the song.
* WildMidi: specify a config file that should be used for playing the song.
* Timidity++: specify an executable that should be used for playing the song. At least under Windows this allows using Timidity++ with different configs if the executable and each single config are placed in different directories.
* GUS: currently not operational, but should later also specify the config. This will need some work, because right now this is initialized only when the sound system is initialized.
* all other: no function.
These options should mainly be for end users who want to fine-tune how to play the music.
- increased the valid range of patch values for MUS. According to the original MIDI2MUS code it can handle numbers up to 188, not 181, and at least one track from Eternal Doom uses #183.
According to blzut3, it looks like it is a byte followed by a variable length field. It can be any value 0-15 and will be followed by that many bytes one for each bank used. If the bank count is 0 then it is shorthand for using one bank (bank 0).
Based on evidence from several songs in Eternal Doom the description in all known documents is wrong. The instruments are not stored in a 16-bit word but in an 8-bit byte, followed by some variable size data.
Known variations are:
* second byte is 0 - no additional data follows
* second byte is 1 - a third byte for the 'bank' value follows.
- Did anybody actually use this? Use WildMidi instead if you want
something that sounds more like Timidity++ without actually being
Timidity++, since not even the old Timidity manages that.
-- errno.h is required for 'errno';
-- don't use str(n)casecmp and rely on ZDoom CMake handling;
-- add a missing parenthesis around a 'signed char' cast;
-- remove an unneeded GNU_SOURCE redefinition;
-- the non-MSVC side of snd_mididevice was not adapted to the new code, making wildmidi unavailable through the menu.
- Besides being little-endian centric, this bit shifting madness
was unneccessary since the values were already clamped to a 16-bit
range, so all we need to do is cast them to a short.
- In order to use ZDoom's own MIDI sequencer event handling must be
completely separate from mixing, but WildMidi had them intertwined
because it wasn't designed for external sequencers.
- Also remove all 'long's defining the output buffers to avoid having
something that's 32 bits wide on Windows and 64 bits wide on Linux.
