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Fix typos and trailing white-space in ladspa documentation

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Marcus Weseloh 2017-11-11 19:31:28 +01:00
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18
doc/ladspa.md
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@ -17,7 +17,7 @@ starting FluidSynth:
fluidsynth -o synth.ladspa.active=1 ...
# Quckstart Tutorial
# Quickstart Tutorial
The following walks you through the process of adding a LADSPA plugin into your
FluidSynth configuration. It assumes that you are running FluidSynth on Linux,
@ -86,7 +86,7 @@ the following four ports are automatically created:
- Main:L
- Main:R
- Reverb:Send
- Chrous:Send
- Chorus:Send
The "Main:L" and "Main:R" ports can be connected to effect input and output
ports. They carry the main audio signals into the LADSPA effects and the
@ -96,12 +96,12 @@ modified signals back into FluidSynth.
mono effect send signals (as determined by the reverb and chorus send
generators for each voice) into the LADSPA effects.
Please note that if you run FluidSynth with the internal reverb and chorus
Please note that if you run FluidSynth with the internal reverb and chorus
effects active (which is the default), then those effects are already mixed
into the Main:L and Main:R channels. Fore more details, please see the "Signal
Flow" section below.
For host port setups in mutli-channel configurations, please see the
For host port setups in multi-channel configurations, please see the
"Multi-Channel Output" section below.
## Creating a Configuration File
@ -195,7 +195,7 @@ shorter version: "Delay".
When specifying a port name for the `ladspa_link` and `ladspa_set` commands,
the system will look for any port that *starts with* the name you gave it. If
there is only one match, then that port is chosen. If there are multiple
matches (meaning your port name is ambiguious), you will see an error asking
matches (meaning your port name is ambiguous), you will see an error asking
you to be more specific. So the configuration for the "e1" effect could also
have been written with much shorter port names:
```
@ -227,7 +227,7 @@ send amount specified in the SoundFont.
If you want to replace the internal reverb or chorus effects with a LADSPA
plugin and you want to honour the decisions made by the SoundFont designer, you
should use the `Reverb:Send` or `Chrous:Send` ports as effect input and
should use the `Reverb:Send` or `Chorus:Send` ports as effect input and
`Main:L` and `Main:R` ports as effect outputs. (See the "Example Setups" section
below for an example on how to replace the internal reverb with a LADSPA plugin.)
@ -374,7 +374,7 @@ lower volume on the left with a delay effect of 1 second on top.
## Replacing the FluidSynth Reverb Effect
If you would like a different reverb implementation than the one built-in to
FluidSynth, you can use a LADSPA reverb plugin like the "TAP Reverb" from
FluidSynth, you can use a LADSPA reverb plugin like the "TAP Reverb" from
[Tom's Audio Processing plugins](http://tap-plugins.sourceforge.net/ladspa.html).
Here is the analyseplugin output for the `tap_reverb.so` plugin:
@ -447,7 +447,7 @@ following ports will be created:
- Main:L2
- Main:R2
- Reverb:Send
- Chrous:Send
- Chorus:Send
If you want all main ports to act as outputs as well as inputs to the effects,
then you also need to increate the `synth.audio-channels` setting.
then you also need to increase the `synth.audio-channels` setting.